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Issue 100


February 2010


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<< Specials this month

In their own words: Autumn

A lot of people considered singer Nienke de Jong leaving Autumn last year as the deathblow for the band. I mean, the Dutch rockers already had overcome some serious setbacks and just released the critically acclaimed album My New Time. All things were finally looking good, but when your leading lady decides to quit it’s something not many bands can cope with. But not Autumn. Despite this new disappointment however they did not kick the bucket. Within a week after Nineke’s farewell show the band had found a new vocalist in Marjan Welman, and as we speak a new album is on the brink of release. It will be entitled ‘Altitude’, and guitarist Jens van der Valk told us his thoughts about the songs on it.


Text: Horst

Lords of Metal’Paradise Nox’ was a clear favorite for the opening slot of Autumn’s latest chapter from the early stages of the writing process. Despite its great diversity of musical landscapes and its many twists and turns, this song bulldozes straight for its targets, being: making a musical statement of what the listener can expect from ‘Altitude’ and clearing a path for the enchanting voice of Marjan Welman. ‘Paradise Nox’ deals with twilight, confusion, nostalgia, loss and making permanent choices.

’Liquid Under Film Noir’ reads like a series of quotes from an incoherent diary fraught with obsession, arson, irreversible loss, guilt, regret and ultimately madness, found near a burnt down black and white film studio by the starring detective. Music about a film in a film.

’Skydancer’ was written to express the euphoric feeling of a dream about flying, real as life. To defy the laws of gravity and see the world from a bird’s eye perspective, with the music to accompany you. The kind of dream you’d never want to wake up from. Not easy to describe in word nor music. We hope we managed…

’Synchro-Minds’ tells the story of a strong connection between two people of different nationalities that have many things in common. The music follows the gradual buildup in tension that ensues from their first meeting, through their first parting to the lasting contact over a great distance. They decide to remain ‘synchro-minded’ and, because they’re worlds apart, not to romanticize their relationship. A wonderfully mature decision.

’The Heart Demands’ is a grooving, slightly rushing song about the way modern man lives his life. Lyrically, it’s a follow-up to ‘Satellites’ off the ‘My New Time’ album in a way. Haste has got a firm grip on us. Our jobs have got us running, because we collectively accept it. But if you think about it, who’s really dictating our pace? We’re on the run, crippling ourselves in pursuit of happiness.
The song’s bridge is a musical and lyrical moment of contemplation. In our illusion of haste and ambition, years have flown past. We haven’t stopped to think long enough about the things that make life worth living and there’s a gaping hole in our feelings and recollections. In a way, we have deceived ourselves and each other. Maybe it’s time for a step back and a look around.

’A Minor Dance’ is a musical journey of discovery and that’s exactly what the lyrics are about. It’s a real life ghost story. Mats: “I was on holiday at a cottage, alone in the middle of nowhere. One evening, a giant thunderstorm came rolling at me from the other side of the lake. It got really intense and lightning struck in or near the cottage. It blew the fuses, the lights went out and apart from the lightning, it was pitch black. All of a sudden an antique radio came to life and the cottage was filled with beautiful, enchanting music. It turned out to be a radio station playing music from the first 40 years of the last century. Beautiful! I lit some candles and didn’t change the fuses that night”. The song takes its time to draw to a close and demands several listening sessions before revealing its secrets..

Lords of Metal


’Cascade (For A Day)’ is laidback groove and warm, soothing vocals offer a relaxing moment to catch one’s breath halfway through the album. Lyrically, it brings across a positive feeling: how a single day can make a world of difference, shine an entirely different light on things. Everything’s alright. Even if it may only last for that one day.

’Horizon Line’ is a song with a seemingly positive vibe to it, but with an eerie gut feeling lurking beneath. The lyrics bring across a kind of carelessness: making one’s own plans, losing oneself in that significant other and taking no notice whatsoever of the world around. As the song progresses, however, doubt about warnings that were brushed aside starts to rear its ugly head: does the chosen path really lead to a happy ending? Since all bridges were burnt along the way, there’s no alternative but to continue on the road towards the pitch black horizon and to hope that the new day will prove those worries wrong. But the intense musical end to the song makes you fear the worst..

’Sulphur Rodents’ is a bitter song, lyrically: an expression of anger and sheer disappointment. Spitting out at someone who is so close to you that he or she is underneath your skin, swimming through your blood and at the same time eating you up from the inside. The ones most dear and close to you often end up being the ones that are able to hurt you the most and to bring out the very worst in you. ‘Sulphur Rodents’ is the first song bassist Jerome wrote for the band and immediately claims the title Most Raw and Venomous Song in Autumn’s repertoire.

’Answers Never Questioned’ is ‘Paradise Nox’’ its musical and lyrical counterpart. It depicts the same situation but from the other person’s point of view. Two individuals with entirely different standpoints and interpretations of the same story. Has the character in ‘Paradise Nox’ made up his mind in time or will the walls of his house remain forever cold and has his fireplace seen fire for the last time? ‘ANQ’ opens the door for closing chapter ‘Altitude’.

’Altitude’, both album and song, is a dynamic rollercoaster of various musical atmospheres and styles. Where opening track ‘Paradise Nox’ gave a powerful introduction to the album, ‘Altitude’ in turn offers a fitting summary and a closing statement with the exclamation mark that the album is craving. The song’s working title was Icarus and the lyrics bear a strong resemblance to that saga. The pride and overconfidence of flying high, expecting to be able to ascend effortlessly from the world to the sun. Followed by the inevitable reality: being planted violently back on the ground, with both feet. ‘Skydancer’s’ euphoria meets the sobering prospects of ‘Horizon Line’ and a lyrical theme dawns...

Do you already want a taste of ‘Altitude’? Then surf to Autumn’s MySpace page!

Lords of Metal

Interviews (49)


Asylum Pyre
Dark Fortress
For Selena And Sin
Gamma Ray
In Vain
Kruger
Massive Assault
Obeah
Rotting Christ
Thy Flesh Consumed

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Reviews (164)


Affliction Gate
Andre Matos
Autumnal Reaper
Be Persecuted
Buckshot Facelift
Enforcer
Fischel’s Beast
Meleeh
Orcivus
Snowblood
Sworn Amongst
Tankard

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Specials (5)


Gamma Ray in the re-run
Label special: Debemur Morti Productions
Read a good book every now and then: Last Shop Standing
Revelation - ...Yet So Far
The Vision Bleak listening session

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Season Of Mist
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