Kim: I often think that I must be lucky that new bands still trigger me in a positive way after all those years of discovering new bands. This also goes for Eternal Deformity from Poland; hearing the first notes of this album I’m feeling an injection of melancholy and sadness. This album contains all ingredients that I love; dreamy metal with massive guitar sounds changed with aggressive, chaotic grunts, but also you can hear dark melodic noises. The charming parts can be heard in the violins, the clean singing, the fine female voices (in ‘Unhole Divine’ and ‘So Silent’) and the theatrical organ and fair music. This last thing does remind me of a musical box, which is spinned round lame.
The style of Eternal Deformity refers to different angles of the metal; ‘Little 15’ sounds just like the atmosphere of Deine Lakeien, the clean singing parts reminds me of singer Mikael of Opeth and the groovy grunts in combination with the electric sounds remembers me of the working method of The Covenant. ‘Little 15’ is the haven of this album; the rest of the songs are heavy and daring because of the ingredients I mentioned before. It’s a pity that the album ends after a small forty minutes.
They convinced me with this masterpiece; I will join this frozen illusion of the sound of Eternal Deformity by which the sad magic moments predominates! A fine ice-cold wasteland with a diversity of singing. And for sure they deliver a beautiful visit card with their fascinating artwork. The band has a lot of chances to break through on an international basis. A good first start would be making the website accessible by translating it as well to English.
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